I'm Martín, a paleobiologist specializing in evolutionary biology and avian paleoecology. I'm also a science communicator and comedian, more or less in that order.
I was a founding member of Poper Stand Up Científico, a project that took me across Argentina and other parts of South America with a simple idea: that talking about science can also be fun.
I have given courses and workshops on science communication in Argentina, Chile, Ecuador, Canada and the United States, and have participated in both science festivals and cultural events, including Ciudad Emergente 2017.
My alter ego, Profe Hallucigenia, blends science with subjects as diverse as sports and art — not even the beloved Diego Maradona can escape.
I currently work as a researcher at the University of Buenos Aires, collaborate with media outlets such as Viva (Clarín), appear as a commentator on streaming platforms and television, and occasionally venture beyond the world of science to perform on other stages.
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My work focuses on avian ichnology: the fossil tracks left by birds. Through their analysis, I reconstruct what past avian communities were like, how they changed over time and how they interacted with their environment. I complement this with experimental work involving living birds—observing modern bird communities and the tracks they produce—as well as controlled experiments. At Fundación Temaikén, I recorded and analysed the movement of flamingos to understand how their gait is reflected in the tracks they leave behind.
I am a science communicator who refuses to stay in a single lane. I write, give talks and do stand-up comedy. Not all at the same time, fortunately. I feel most at home either writing or speaking to a live audience. My alter ego, Profe Hallucigenia, prefers cameras, screens and streaming platforms.
English-language portfolio → Medium · updated regularly
Profe Hallucigenia is my alter ego. He shows up when the serious scientist isn't enough — like the Hulk, but instead of anger, what triggers him is extreme curiosity.
He's intense, endlessly curious, a pop culture fanatic and warm-hearted. Also a bit clumsy. While I prefer the written word or a live audience, Profe Hallucigenia prefers the small screen, streaming and formats where mixing paleontology with Maradona is not just possible — it's mandatory.
The name comes from Hallucigenia, a Cambrian animal so bizarre that paleontologists spent decades thinking it was a mix of completely different creatures — and couldn't even figure out which end was the head. Once you meet Profe Hallucigenia, you'll understand why the name fits.
English subtitles available (enable in YouTube settings)
Diego Armando Maradona as an excuse to talk about human evolution. Simple as that. Crazy as that sounds. In this seven-episode series I trace the history of our species using the greatest footballer of all time as a narrative thread — because if there's one thing Maradona does, it's make you question the limits of what it means to be human.
Ciencia por Contar Award 2022 · Ministry of Science and Technology of Argentina
→ Watch the full seriesGuest speaker on one of the most unhinged and entertaining shows on the Luzu TV streaming platform, where I talked about palaeontology.
A show hosted by the wonderful Andrea Politti, broadcast on Canal 13 during the first quarter of 2022. My segment combined science, humour and hands-on experiments, helping children and celebrity guests explore scientific concepts in a fun way.
→ Watch all episodesGuest on UNTREF Media's streaming show to talk about Diego Armando Maradona and science.
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to your school or event?
(Please get in touch to check which talks are available in English)
This workshop uses theatre as an educational tool to break classroom monotony and engage students. Adapted from an activity originally developed by North American palaeontologist Rebecca M. Price, this workshop is a role-play game whose rules are evolutionary concepts. It teaches evolutionary processes through theatrical action: exploring space, using the body, being subjected to "natural selection" and "catastrophic events" that prompt a rethinking of evolution as it is commonly understood.
The workshop has two parts: one with theatrical exercises to recreate a natural world with representatives of the food chain and interacting environmental factors, followed by a discussion and theoretical reflection session to interpret what happened during the game.
Fun, fast-paced and dynamic — without sacrificing scientific rigour or critical reflection. A role-play game where the natural sciences set the rules.
Humour is one of the most powerful tools for breaking down cultural, ethnic and social barriers. The range of concepts that can be explored through science comedy makes it useful not only for communicating science to the public, but also for the professional development of researchers and science communicators. The workshop aims to introduce the basic tools of humour to science communicators and encourage them to communicate in a different way.
Introduction to science comedy: what is a science monologue? Humour as a tool. Different approaches for different audiences. Communication strategies. Building a monologue: personal experience, shared experience and general knowledge.
Writing and performance: physical expression, exploration of stage techniques, theatre games, short improvisations. Group formation and topic selection.
Collective work and rehearsal: collaborative writing of a short script, rehearsing monologues, rewriting and a full run-through. Closing with an open performance for an audience.
The ability to communicate a scientific idea clearly and effectively is increasingly valued inside and outside academia. Yet many researchers are trained to present results, not to engage diverse audiences. This workshop provides tools to build scientific pitches that convey the relevance of a project without losing rigor.
Introduction to the scientific pitch: differences from a traditional presentation, identifying the core idea, adapting the message to different audiences and building clear, effective communication.
Narrative structure and storytelling: hooks, attention hooks, the problem as the engine of the presentation, narrative devices and humor as a tool for building empathy and attention.
Design and practice: time management, verbal and non-verbal communication, common mistakes, practical exercises and personalized feedback. Applying these tools to the Three Minute Thesis (3MT®) format.
Would you like to organise a talk or workshop, have a proposal or just want to say hello?
Drop me a line.